Joan Miro
1893-1983
Joan Miro is known for his playful art. His emblematic
images make a naive, childlike impression at first sight. In contrast to
the image of his art, he was a solid, hard-working man who preferred to
come to gallery exhibitions in dark business suits.
His Early Years
Joan was born as the son of a goldsmith and jewelry maker in Barcelona
in Northern Spain. He studied arts at the Barcelona School of Fine Arts
and at the Academia Gali. His parents would rather have seen him taking
a job as a serious businessman. He even took business classes in 1907
parallel to his art classes. Joan worked as an accountant for nearly two
years until he had some kind of a nervous breakdown. His parents finally
accepted their son's choice of a career as an artist without giving him
too much support.
In the beginnings of his career he dabbled in different painting styles
that were fashionable at the turn of the century like Fauvism and
Cubism.
Paris - the Mecca of Arts
In 1920 Miro made the first of a series of trips to Paris. In 1921 he
settled permanently in the French capital. He met Pablo Picasso and many
of the other great painters and artists living in Paris - the center of
arts in the late nineteenth and first half of the twentieth century.
From 1924 on, Miro joined the circle of the Surrealist theorist Andre
Breton. His painting style took a turn to Surrealism. His comrades were
Andre Masson and Max Ernst. But he never integrated himself completely
into this group dominated by Andre Breton. He remained an outsider.
International Fame
By 1930 the artist had developed his own style. Miro art is hard to
describe. It is characterized by brilliant colors combined with
simplified forms that remind of drawings made by children at the age of
five. Joan Miro art integrates elements of Catalan folk art. He liked to
compare his visual arts to poetry.
In the 1930s the artist's fame and recognition became international.
From 1940 to 1948 the he was back in Spain. During this period he
experimented in different media - sculpture, ceramics and murals.
In 1947, he came to the United States for the first time. He had several
own-man shows. The most important one was a retrospective at the MoMA -
The Museum of Modern Art in New York in 1951 and in 1959. In 1954 he won
a prize at the Venice Biennale. In 1968 the artist finished a commission
for two large ceramic murals at the UNESCO buildings in Paris.
His Personality
Miro was a disciplined hard working man. He spoke little and looked like
the perfect bourgois. He was orderly, reliable and punctilious. Nothing
of him had any touch of a bohemian.
He was also a modest man. In spite of international recognition, his
financial situation was tense. He dreamed of a large studio where he
could fulfill the numerous art projects and ideas that he collected in a
little notebook. After World War II his time had finally come. His first
trip to the USA pushed his popularity and the market value of his art
work. And the modest little man pushed the galleries to give him a
fairer share out of the sales. In a letter to gallery owners he wrote:
"What I will no longer accept is the mediocre life of a modest little
gentleman."
In 1956 Miro could finally move into the villa of his dreams. Located in
Palma de Majorca and built by the architect Josep Lluis Sert. The new
home was built in an ultra-modern style typical for the avant-garde
architecture of the fifties. In 1992 it was transformed into the Miro
Museum open for the public.
Collecting Joan Miro Prints
Miro was a prolific print maker. He worked in etchings and lithographs.
And Miro is among those modern artists like Picasso or Chagall whose
works were also published in large print editions targeted at a larger
audience. Thus original Miro art is available even for art lovers with a
limited budget.
Joan Miro on the Internet
Fondacion Joan Miro
Literature source used for this Joan Miro biography
Miro, Benedikt Taschen Verlag, 1993, Köln, ISBN 3-8228-9649-7
From
Artelino.com -
Art Auctions
For Sale: le Soleil from Volume I by Joan Miro.
Executed in 1972 for the first
volume of Miro's Lithographic Works in an edition of 80. Image
Size of the color lithograph is 13x10 inches. It is signed in
lower right margin, and numbered at lower left. Appraised and
Authenticated, February 1985
van Dyk Gallery is offering 3 Lithographs by this
Artist.
Contact us for details.
Joan Miro
"le Soliel from Volume 1"
Lithograph LXI/LXXX
1972
17 3/4" x 14 1/2"
$15,000